Well, we made it through
another year. As always, thanks for reading, and I hope you enjoy my
reviews.
This year was pretty damn
good for movies, and there are still some that I haven't seen that I
wanted to, so just because I didn't mention it on here doesn't mean I
won't think it is great. Except The Avengers, I
didn't think that was that great.
2012
wasn't without its stinkers, though. We had garbage like Wrath
of the Titans to insult our
intelligence, Battleship
to give us headaches and remind us how bad Transformers 4 will be, a
bloodless remake of Total Recall,
and don't even get me started on anything Adam Sandler was fucking in
this year. But, on the plus side, most of those movies didn't make
much money.
So, here is a list of my
10 favorite films of the year, in ascending order. Plus a few other
good movies.
10. THE MASTER
This is a thought
provoking character study with two of the best performances of the
year. Joaquin Phoenix is phenomenal as the alcoholic war veteran
that becomes consumed with Phillip Seymour Hoffman's cult. The two
actors create a hypnotic connection that permeates throughout the
entire film. Paul Thomas Anderson's film about Scientology is as
bold as it is disturbing, capturing the essence of cult mentality,
and the desperation of undiagnosed mental illness and shell shock.
9. JEFF, WHO LIVES AT
HOME / SAFETY NOT GUARANTEED
Okay so, I guess it is
cheating to put two different movies here. However, they are both
fantastic comedies that are down to earth in their strange,
ridiculous ways. Not to mention that they are at the very least semi
unintentional companion pieces. The Duplass brothers directed Jeff,
starring Jason Segel as the title slacker, and Ed Helms as his
stressed out and self involved older brother. Jeff is
a touching and humanist film that really understands and loves its
characters and their universal problems. Safety
stars Mark Duplass, as well as Aubrey Plaza of Parks and
Rec and the hilarious Jake
Johnson of New Girl.
The plot of this movie is slightly more fantastical and predictable
than Jeff, but the two
movies understand their characters and connect with the audience in
such similar and fulfilling ways that it is impossible to not feel
the bond between them.
8. LOOPER
Writer-director Rian
Johnson crafts an excellent film about the self defeating circle of
violence with this smart, disturbing, and cynical look at the future.
The film takes place in the near future, in an economically crumbled
America, where the preferred form of currency is Chinese money.
Joseph Gordon-Levitt is fantastic as a killer for the mob that gets
rid of the bodies they send back in time. Through a series of
complicated events, his older self appears in his time, played with
style and coldness by Bruce Willis.
7. CLOUD ATLAS
Here we have a movie that
is at times silly and obvious, but without a doubt it creates a true
sense of wonder. Directed by the Wachowskis and Tom Tykwer, it is a
great achievement of cinematic experience. The intertwining stories
that span across centuries connect with a dizzying clarity. The two
stories set in the distant future are probably the best, creating
both great characters and phenomenal worlds that are dazzling to
behold.
6. PROMETHEUS
This sortof-prequel to
Alien combines horror and
sci-fi perfectly. Co-written by Damon Lindelof, and directed by
Ridley Scott, Prometheus is
a phenomenally well crafted film. Weirder, stranger, and darker than
most any Hollywood movie, this film gets the benefit of both a huge
budget and competence. Michael Fassbender's role as the android is
mind blowingly intense, and the bleak cinematography makes the entire
movie unsettling.
5. ZERO DARK THIRTY
Zero Dark Thirty is
really fucking good. Jessica Chastain is powerful and beautiful as
the main character, obsessively searching for Osama bin Laden.
Kathryn Bigelow's exciting thriller is amazingly well done. The
scenes of torture are brutal, and the climax is powerful and
disturbing. The film is an unflinching look at the state of the
world and America's messy and morally ambiguous role in it.
4. MOONRISE KINGDOM
This is writer-director
Wes Anderson's most personal film, and as a result probably his best.
Filled with romance, sentiment, melancholy, and humor, Anderson
creates a stylized look at childhood and the 1960s. The Romeo and
Juliet style romance between the two kids is touching and beautiful,
and the two actors are excellent at being funny and honest. The
likes of Bill Murray, Francis McDormand, Edward Norton, and Bruce
Willis populate this movie, and they all bring their ingenious
characters to life. Anderson's movie laughs in the face of modern
cynicism, and brings us a refreshingly sentimental and sweet look at
love and youth.
3. BEASTS OF THE SOUTHERN
WILD
First time director Benh
Zeitlin creates a mesmerizing film about life in the flooded remains
of Southern Louisiana in the near future. Hushpuppy, a young girl
who lives in the small, almost aboriginal community, must deal with
living with people who have given up on the world. Her mother left
long ago, and her father his an angry, self interested alcoholic who
cannot take care of her. The sad, melancholy of this situation is
not always present, as Hushpuppy takes joy in her surroundings and
her carefree life. The film is very sad, but it also breathtakingly
beautiful, as it rises above the depressing idea of rising sea levels
to create a movie that connects to the soul.
2. LAWLESS
Who would of thought that
a movie with Shia LaBeouf in it could be so great? Based on a true
story, this film is a brutal look at bootleggers in the backwoods of
Virginia during the Prohibition. The screenplay by Nick Cave is
violent and old school, inspired by tall tales of outlaws and
criminals of that old, weird America. Tom Hardy, who also gave an
excellent performance as Bane in The Dark Knight Rises,
plays the eldest of three brothers, and he is a walking legend. Guy
Pearce is pure evil as the corrupt federal agent looking for a piece
of the bootlegging business. Director John Hillcoat paints a
stunning picture of these characters and their lives in the
wilderness of America.
1. LIFE OF PI
This is a movie that
takes the art of cinema to its incomparable heights. Ang Lee's
majestic adventure movie about a 16 year old Indian boy and a Bengal
tiger engulfs the viewer into its cosmic world. As a boy names Pi
travels with his family and their zoo animals to America, their ship
sinks. Miraculously Pi survives on a lifeboat, only to be
accompanied by the tiger. Pi learns to live with it, and eventually
he and the tiger's destinies become inseparably intertwined. The
film pierces into the soul, connecting inner space with outer, and
delivering literally breathtaking images. Without a doubt, this is
one of the greatest movies I have seen in a very long time.
Now, here are some movies
that were also really good, but didn't quite make the list: Haywire,
for being a kick ass movie staring Gina Carano who delivers the
coolest fight scenes of the year; Bernie for
being hilariously dark and featuring Jack Black in one of his best
roles; The Pirates! Band of Misfits
was the year's best kid's movie, with fantastic stop motion animation
and smart, clever humor; Lincoln
for delivering a classic look at one of histories most important
people; Men in Black 3
for its absolutely unexpected goodness, and Josh Brolin's role as the
young Tommy Lee Jones; Skyfall
for being the best James Bond movie; The Dark Knight Rises
was fantastic, delivering a
satisfying end to the series and thankfully not sacrificing its story
for action; Cabin in the Woods
for making horror movies smart again; Frankenweenie,
for letting us know that Tim Burton's creative juices aren't entirely
gone; Premium Rush was
a fun and exciting movie that was reminiscent of days when
blockbusters weren't all 2 and a half hours; and The Man
with the Iron Fists, for obvious
reasons.
Thanks
for reading, as always, and let's look forward to the first year
since 2007 without a Twilight movie!
I read your review of Argo and I get what you say, but I still feel that it deserves honorable mention here. But that's a personal opinion. Only one you gave an honorable mention that I thought was a major disappointment was Men in Black 3. With the exception of Brolin's performance, I felt it to be a pretty jacked up sequel that didn't compare to previous installments. I have yet to see Lawless but I definitely intend to based on your review. And yeah, I think it's bogus that Cloud Atlas didn't get a single nomination at the Oscars.
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